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Reviewed by
Tony
Zurlo
(Nigeria 1964–65) in Peace Corps
Writers, September, 2005
IN BEHIND ENEMY LINES: A Memoir,
John
Durand
presents vignettes of rural Midwestern America during the 1940s and
1950s. They reflect the innocent and uncomplicated values Americans
today imagine existed during that time: devoted extended family, respect
for elders, pride in work, unchallenged religious faith, zealous
patriotism, and naive sexuality.
When he was six years old
Durand
fell victim to poliomyelitis (polio). Left with a slightly deformed left
leg,
Durand
was fanatical about being seen as “normal” by his peers.
Durand
’s futile denial of his disability is the unifying theme of his
memoir.
Durand
managed the less physically demanding rituals, such as serving at Mass
and accumulating merit badges in the Boy Scouts, but his disability
denied him success in high school athletics and discouraged him from
dating.
Like most boys of his generation,
Durand
admired the heroism portrayed on the daily radio adventure shows such as
the Lone Ranger and in the patriotic movies and adventure novels
depicting brave American soldiers. Indeed, World War II propaganda
defined his early images of manhood.
A high school senior in 1955,
Durand
joined the National Guard, “enthusiastic and eager to please” his
superiors. However, his tour lasted just four months because of his
“bum foot.” By this point in his life,
Durand
was beginning to realize how much his disability would prevent him from
participating fully in activities of “normal” people. His
“honorable discharge” stated that he had served with “Honest and
Faithful Service.”
Durand
writes cynically: “Yeah, right. So what? Who cares?”
One of
Durand
’s strengths as a writer is his ability to capture the atmosphere of
small town middle
America
in the Forties and Fifties. With great respect, he is able to describe
life on a small farm where every family member kicks in with the chores,
from milking cows to cleaning chickens, to plowing and tilling fields
and canning fruits.
Durand
’s simple, straight forward writing style is easy to read. However,
Durand
’s book is about the impact of polio on his search for self identity,
a philosophical issue that he fails to examine in any depth until the
end. In a chapter titled “Post-polio Syndrome,” he finally
introduces his major theme of human duality: “the disconnection
between mind and body, between soul and flesh, between the inner and the
outer worlds.”
Durand
concludes:
After polio there was nothing I could ever do about
my duality except live with it. That’s all any of us can do. Pick up
the pieces and go on . . . whether those pieces include a
disfigured face or a diseased body or the loss of speech or sight or
useless limbs or those we love. But it took me a long time to learn
that.
These memoirs end as
Durand
leaves home for college. A much more interesting story would be that
which covers the “long time” that it took
Durand
to learn to “live with” his “duality.”
A writer/educator living in
Arlington
,
Texas
,
Tony
Zurlo
has published poetry, fiction, and essays in more than seventy
journals, magazines, and anthologies including the Writers Against War,
Dissent Voice, Red River Review, New Texas, Snow Monkey, and the Fort
Worth Star-Telegram. He has new poems appearing in upcoming issues of
Pemmican and Identity Theory.
Tony
has published non- fiction books on
Vietnam
,
China
,
Hong Kong
,
Japan
, Japanese Americans,
West Africa
,
Algeria
, and
Syria
(2006)
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